µµ¼­
- ¹êµå½ºÄÚ¾î
- ¾Ç±â¿Í ¹ÂÁö¼Ç
- ÀÏ·º±âŸ ±³º»
- º£À̽º ±³º»
- µå·³ ±³º»
- ¾îÄí½ºÆ½ & Ŭ·¡½Ä ±âŸ
- ±× ¿Ü ¼­Àû
DVD
Sun499 Gigbags
½ã499 ±ã¹é
Sun499 Pedalboards
½ã499 Æä´Þº¸µå
Sun499 Straps
½ã499 ½ºÆ®·¦
Aguilar®
¾Æ±Ð¶ó
Comfort Strapp®
ÄÄÆ÷Æ® ½ºÆ®·¦
Danelectro®
´íÀÏ·ºÆ®·Î
G&L®
Áö¿£¿¤
G&L® Tribute
Áö¿£¿¤ Æ®¸®ºäÆ®
ModTone® Effects
¸ðµåÅæ ÀÌÆåÅÍ
Pyramid® Strings
ÇǶó¹Ìµå ½ºÆ®¸µ
SNARK® Tuners
½º³ªÅ© Æ©³Ê
Souldier® Strap
¼ÖÀú ½ºÆ®·¦
Spectraflex® Cables
½ºÆåÆ®¶óÇ÷º½º ÄÉÀ̺í
StringSwing® Display
½ºÆ®¸µ½ºÀ® µð½ºÇ÷¹ÀÌ
¹ÂÁ÷¾ØºÏ½º
ȸ»ç¼Ò°³
About Us
Á¦Ç°¼Ò°³
Products
´ë¸®Á¡
Where to buy
°ø¿¬¾È³»
Live Info
  All Products > Books > Acoustic Lessons >
 

Acoustic Blues Guitar Method Complete
Book & MP3 CD

ÃâÆÇ»çAlfred
ÀúÀÚLou Manzi
¾ÆÀÌÅÛ #00-36422
ISBN9780739074008
ºÐ·®248 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹


¾îÄí½ºÆ½ ºí·ç½º ±âŸ ¿¬ÁÖ¸¦ ½ÃÀÛÇÏ·Á´Â »ç¶÷ÀÌ¸é ´©±¸³ª º¸°í ¹Ù·Î ½ÃÀÛÇÒ ¼ö ÀÖ°Ô ±¸¼ºµÈ ·¹½¼ºÏÀÔ´Ï´Ù.
Ãʱ޿¡¼­ »ó±Þ±îÁö ´Ü°èÀûÀÌ°íµµ ü°èÀûÀ¸·Î ¼³¸íµÇ¾î ÀÖ´Â ÃʱÞ, Áß±Þ, »ó±Þ ÇÕº»±ÇÀÔ´Ï´Ù.
Ãʱ޿¡´Â ±âº» ºí·ç½º ÀÌ·Ð, ¿Þ¼Õ Å×Å©´Ð, ÁÖ°í ¹Þ´Â ÇÁ·¹ÀÌÁî, ÀÎÆ®·Î, ÅϾî¶ó¿îµå, ÀÓÇÁ·Î¹ÙÀÌÁ¦ÀÌ¼Ç µîÀÇ ³»¿ëÀÌ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù.
Áß±Þ¿¡¼­´Â 12¸¶µð, 16¸¶µð, 9¸¶µð ºí·ç½º ÇÁ·Î±×·¹¼Ç°ú ½ºÄÉÀÏ ¹× ¾Æ¸£ÆäÁö¿À ±â¹ÝÀÇ ºí·ç½º ¼Ö·Î, ÀçÁî ºí·ç½º, ¿ÀÇ Ʃ´× µîÀ» ´Ù·ç°í ÀÖ½À´Ï´Ù.
»ó±Þ¿¡´Â ½ºÅÄ´Ùµå Æ©´×, ¿ÀÇ Ʃ´× ¹× ¾óÅͳ×ÀÌÆ® Æ©´×¿¡¼­ÀÇ ÇΰŽºÅ¸ÀÏ ºí·ç½º¿Í ½½¶óÀÌµå ±âŸ Å×Å©´Ð, ÆæŸÅä´Ð ¹× ºí·ç½º ½ºÄÉÀÏ ÀÌ·Ð ¹× ÀÀ¿ë, ¸ðµå ÀÌ·Ð, ÀçÁî ºí·ç½º, ¿öÅ· º£À̽º ¶óÀÎ, ÆÄÇÎ, »ó±Þ ¹ÂÆ® Å×Å©´Ð µîÀÇ ³»¿ëÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.
ºÎ·ÏÀ¸·Î CD°¡ Æ÷ÇԵǾî ÀÖÀ¸¸ç ¸ðµç ¿¹Á¦µéÀÇ µ¥¸ð Æ®·¢ÀÌ MP3 Çü½ÄÀ¸·Î ´ã°ÜÀÖ½À´Ï´Ù.
¸ðµç ¾Çº¸´Â Ÿºê¾Çº¸·Î ±âº¸µÇ¾î ÀÖ½À´Ï´Ù.


- Contents -

Beginning Acoustic Blues Guitar

ABOUT THIS BOOK

CHAPTER 1 - Getting Started
Choosing Strings
The Open Strings
Tuning
Musical Pitches and the Fretboard
Standard Music Notation
Reading Tablature
Reading Scale and Chord Diagrams
Reading Chord Charts
Posture
Right-Hand Technique
Left-Hand Technique

CHAPTER 2 - 12-Bar Blues Progressions
Easiest 12-Bar Blues
   Easiest 12-Bar Blues
   Easiest 12-Bar Blues in E
Most Common 12-Bar Blues
   Most Common 12-Bar Blues in A
   Most Common 12-Bar Blues in E
   Most Common 12-Bar Blues in D
   Most Common 12-Bar Blues in G

CHAPTER 3 - Blues Rhythm & Theory
Swing Eighths
Intervals

CHAPTER 4 - Blues Shuffles
Two-String Chords
   Shuffle Blues in A
   The 5, 6, b7 Blues in A
   Shuffle Blues in E

CHAPTER 5 - Palm Muting
   Shufflin' the Palm Mute
   Palm Muting in A

CHAPTER 6 - Major Scale Theory Review

CHAPTER 7 - Chord Theory and Key Signatures
Major and Minor Triads
Diminished and Augmented Triads
7 Chords
Diatonic Harmony
Key Signatures

CHAPTER 8 - Boogie Woogie Blues Patterns
   Boogie Woogie in G
   Boogie Woogie in E

CHAPTER 9 - Blues Strum
   12-Bar Blues in C
   12/8 Blues
   Two-Strum Blues in A
   Strummin' in E

CHAPTER 10 - Blues Soloing
The Minor Pentatonic Scale
The Major Pentatonic Scale
The Blues Scale
Phrasing

CHAPTER 11 - Left-Hand Techniques
Hammer-Ons
Pull-Offs
Bending
Slides
Vibrato
Combining Techniques

CHAPTER 12 - More Blues Strums and Right-Hand Patterns
   Bb Blues
Arpeggios
   Arpeggion Blues
The Sixteenth-Note Strum
   Funky Blues in B
Upbeat Strum
   Upbeat Blues in F

CHAPTER 13 - Turnarounds

CHAPTER 14 - Riff Style Blues
   Riff Blues in E Minor
   Riffin' in F
   Octave Blues
   Funky Blues in G Minor

CHAPTER 15 - Moveable Two-String Patterns
   Shuffle in G
   Chuck's Blues
   Shufflin' in E

CHAPTER 16 - Barre Chords
   Ab Barre Blues

CHAPTER 17 - Eight-Bar Blues
   Key to the Turnpike
   Too Long Blues

CHAPTER 18 - Minor Blues
   Minor Blues in A
   Three-Strum Blues
   Blues for B.B.

CHAPTER 19 - Fingerstyle Blues
Minor Blues for Rev. Gary - Preparation
   Minor Blues for Rev. Gary
Blues for Mississippi John - Preparation
   Blues for Mississippi John
Keep on Pickin' - Preparation
   Keep on Pickin'
Blues for Lightnin' - Preparation
   Blues for Lightnin'
Boogie Woogie Time - Preparation
   Boogie Woogie Time

APPENDIX - Chord Fingerings

FINAL THOUGHTS



Intermediate Acoustic Blues Guitar

ABOUT THE AUTHOR

CHAPTER 1 - Blues Rhythm
Rhythmic Notation
Basic Strums
The Triplet "Feel"

CHAPTER 2 - Blues Theory
The b3, b7 and b5
Transposing

CHAPTER 3 - Blues Progressions
Easiest 12-Bar Blues
   12-Bar Blues in Bb
Most Common 12-Bar Blues
   Quick-Four Blues
Easiest and Most Common Blues Combined
   Mojo Blues
16-Bar Blues
   Hoochie Blues
9-Bar Blues
   Wolf's Blues

CHAPTER 4 - Shuffles and Two-String Patterns
   Shuffle in A
   Straight 8ths in E
   b7 Blues
   Blues for Muddy
   Syncopated Blues in C

CHAPTER 5 - Soloing
Left-Hand Technique Review
Minor Pentatonic Scale
Major Pentatonic Scale
Blues Scale
Combining Scale
   Three Scales in 12 Bars

CHAPTER 6 - Chord Voicings
Triad Voicings
   Sliding Minor
   Hammer-On Triad Blues
Dominant 7th Chord Voicings
   Dominant 7th Blues
   Blues in 12/8

CHAPTER 7 - Boogie Woogie Blues
   Sixteenth-Note Boogie Woogie
   b3 Boogie Woogie in E
   b3 Boogie Woogie in F

CHAPTER 8 - Intervals

CHAPTER 9 - 3rds, 6ths and 10ths
3rds
6ths
10ths
3rds, 6ths and 10ths in Blues Style
   Solo with 3rds
   Sliding 6th Blues
   Shufflin' 6ths
   Blues in 10ths

CHAPTER 10 - Arpeggios
Major Arpeggios
Minor Arpeggios
Dominant 7th Arpeggios
Minor 7th Arpeggios
Major 6th Arpeggios

CHAPTER 11 - 9th, 13th and Diminished 7th Chords
   9th Chord Blues in G
   Funky Blues in E
   13th Chord Blues
   Diminished 7th Blues
   Jazz Blues

CHAPTER 12 - Open Tunings
Open G Tuning
   Blues in Open G
Open A Tuning
Open D Tuning
   Open D Blues
Open E Tuning

CHAPTER 13 - Boogie Blues

CHAPTER 14 - More Fingerstyle Blues
   Blues for Robert
   Drop D Blues
   Blues for Mance
   Blind Lemon Blues
   Boogie Woogie in G

FINAL THOUGHTS



Mastering Acoustic Blues Guitar

ABOUT THE AUTHOR

CHAPTER 1 - Review: Learning the Fretboard
Intervals and Scales
Chromatic Scale
Transposing

CHAPTER 2 - Fingerstyle in A
   12 to the Bar
   Sixthville
   Swingin' Away in A

CHAPTER 3 - Fingerstyle in C, Amin and G
   Rockin' with the Reverend
   White Hollow Blues
   Mississippi Man

CHAPTER 4 - Minor Pentatonic Scale
Minor Pentatonic Scale Theory
Minor Pentatonic Scale - Form 1
Minor Pentatonic Scale - Form 2
Connecting Forms 1 and 2
   Blues Backing Track

CHAPTER 5 - Fingerstyle in E
   Big Bill's Blues
   Up the Fifth
   Leaving Chicago

CHAPTER 6 - More Minor Pentatonic Scale Forms
Minor Pentatonic Scale - Form 3
Connecting Forms 2 and 3
Minor Pentatonic Scale - Form 4
Connecting Forms 3 and 4

CHAPTER 7 - Fingerstyle in Drop D
   The Lowdown D Blues
   Willie Was Here

CHAPTER 8 - Another Minor Pentatonic Scale Form
Minor Pentatonic Scale - Form 5
Connecting Forms 4 and 5

CHAPTER 9 - Open Tunings
Open D Tuning
   Down Deep in D
Open G Tuning
   Blues for Skip
   Keep It Steady Freddie

CHAPTER 10 - Major Pentatonic Scale
Major Pentatonic Scale - Form 1
Major Pentatonic Scale - Form 2
Major Pentatonic Scale - Form 3
Major Pentatonic Scale - Form 4
Major Pentatonic Scale - Form 5

CHAPTER 11 - Slide in Standard Tuning
   Hit the Six

CHAPTER 12 - Blues Scale
Blues Scale - Form 1
Blues Scale - Form 2
Blues Scale - Form 3
Blues Scale - Form 4
Blues Scale - Form 5

CHAPTER 13 - Moving Bass
   Boppin' the Bass
   Walkin' with Lou

CHAPTER 14 - Modes

CHAPTER 15 - Mixolydian Mode
Mixolydian Mode - Form 1
Mixolydian Mode - Form 2
Using the Mixolydian Mode
   Mixing It Up

CHAPTER 16 - Slide in Open Tunings
   Jammin' in G
   D for Dee
   Dusty Road Blues

CHAPTER 17 - Dorian Mode
Dorian Mode - Form 1
Using the Dorian Mode
Dorian Mode - Form 2
   Dorian Days

CHAPTER 18 - Jazz Blues
   Jazz Meets the Blues
   Tune for Toots
   Major Minor Moment

CHAPTER 19 - Left-Hand Muting Techniques
   Muting in A
Using Muting Techniques When Improvising
   C Riff Blues

CHAPTER 20 - Popping the Bass
   Pop Goes the Bass Note
   Down in the Delta
   Hot Time

FINAL THOUGHTS

APPENDIX - Artists
Early Blues Players
Contemporary Blues Players


 

Copyright © 2006-2016 Music N Books. All rights reserved.